| Year | Work | Description |
|---|---|---|
| 2024 | Golden Proportions #4 | For trumpet, violin, and piano. World premier, November 2024 at the New Mexico School of Music. |
| 2013 | Golden Age | World premier, April 27, 2013 by the La Jolla Conservatory of Music. |
| 2013 | Golden Spring | World premier, March 24, 2013 by Chatter at the John Donald Robb Composers’ Symposium, Albuquerque, NM. |
| 2012 | Lyradical Rag | Computer-assisted music improvisation premiered at University of New Mexico with Panaiotis, computer; Tonya Akeley, trombone; and Russell Turek-electric guitar. March 29, 2012. |
| 2012 | Tromboot Camp: Premiered several new works for low brass: Alien Zoo, Green Tree-O, and Fanfare from Journey to Avalon (arr. for trombones); trombone choir at Hummingbird Music Camp. June 2012. | |
| 2011 | Revolutions | Computer-assisted music improvisation premiered at Berklee College of Music with Kari Juusela, electric cello; Nandkishor Muley, santur; Panaiotis, computer; Jerry Leake, perc.; and Steven Chelliah-electric guitar. September 29, 2011. |
| 2010 | Performance of a solo improvisation using recently completed custom software and audio processing. High Mayhem: February 21, 2010 | |
| 2009 | Continental Drift | New version expanded and arranged for youth performers at La Jolla Conservatory of Music. Premiered May, 2009. Master classes were conducted over the internet between Albuquerque and San Diego in preparation for the performance. |
| 2009 | New and old improvisation works performed at Stetson University with Nathan Wolek, electronics, and Nandkishor Muley, Indian santur. | |
| 2005 | Northern Lights | Concerto for electronics and orchestra. Commissioned by Santa Fe Community Orchestra. Premiered June 18, 2005 at St. Francis Auditorium, Santa Fe, NM. |
| 2005 | Rapture Rupture | Quadraphonic music for the dance work Nowhere Slowly. Dur: 21:00. Choreography by Jennifer Predock-Linnel. Premiered November 2005, Univ. New Mexico. Subsequent performances at the John Donald Robb Composers’ Symposium, Carlyle Gym, Albuquerque, NM April 3, 2006 and in May 2006 at North 4th Street Theater as part of the Wild Dancing West series: May 18-20, 2007. |
| 2003 | Six Minute-Tours | Six, one minute pieces for piano. Premiered by Anthony Christodoulou, Oct 11, 2003. |
| 2003 | The Labyrinth | Solo: Multimedia presentation for solo voice, algorithmically created music, projections. Explores the mythology, both ancient and modern, of the labyrinth. This work was inspired by the version listed below. Premiered October 2004 at the Outpost Performance Space, Albuquerque, NM. Performed by Panaiotis. |
| 2003 | Vocalise | Solo voice and electronics. Premiered on KUNM’s Other Voices, Other Sounds. Albuquerque, NM, February 2003. Panaiotis-voice. |
| 2002 | Five Cell Meditations | For chamber ensemble and 20 cell phones. Dur: 15 min. Rollins College, April 2002. Music Appreciation and pick-up band conducted by Panaiotis. |
| 2002 | Golden Proportions #3 | Trumpet, piano, computer-assisted electronics: Dur: 6:17. Premiered by Chris Dolske, trumpet, Rollins College, April 2002. |
| 2002 | Spring has Come | From a tune from Piae Cantiones. For SATB. Premiered by The Vocables with Panaiotis conducting. April 2002 Rollins College. |
| 2002 | When All Paths are Peace | SSA TBB (with accomp. by piano or orchestra or tape). Dur: 6:17. Premiered by The Vocables with Panaiotis conducting. April 2002 Rollins College. 10th Annual Celebration of International Heritages sponsored by World Trade Center Association of Orlando. June 12. Vocables performance of When All Paths are Peace. Orlando City Hall. |
| 2001 | Golden Proportions #2 | Violin, piano, trombone, 2 electric basses, percussion. 3-minute work structured on the Golden Ratio and Fibonacci series. Performed by a Music Appreciation class, Panaiotis conducting. Spring 2001. |
| 2000 | Golden Proportions #1 | Violin, horn, 2 flutes, and cello. 6 minute work structured on the Golden Ratio and Fibonacci series. |
| 2000 | O’er the hill and o’er the vale | From a tune from PiaeCantiones. For SATB, brass, and percussion. Recorded by Bach Festival Choir of Winter Park, 2002. Premiered by First Congregational Church of Winter Park, 2001. |
| 1999 | Ariel | Piano solo. Also arr. for flute, cello, and piano. Premiered April 2002 using computer generated recording, Rollins College, April 2002. |
| 1999 | Ride On | SATB and organ: Anthem for Palm Sunday. Premiered by First Congregational Church of Winter Park, 1999. |
| 1999 | Rising Sun | Rising Sun: Indian santur, tabla and electronics. Collaboration with Indian santurist Nandkishor Muley. Dur: 10:57. Premiered at Stetson University April 17, 1998. |
| 1999 | The Labarynth | Ensemble: Multimedia work with computer graphics and music, a 36 foot labyrinth on canvas through which performers and audience travel, musicians and dancers. Dur: ca. 45 min. Premiered by the Relâche Ensemble, October 1999 at the Atlantic Center for the Arts and Orlando Museum of Art, Florida. |
| 1998 | Journey to Avalon | Symphonic band. Commissioned by Valencia College, Orlando, Fl. Premiered by Stetson University Symphonic Band, April, 2000. |
| 1997 | Birdsong/Beastsong | Four songs for high voice: Hawks and Pigeons, No matter how sweet the swan, The Snake, Lounging in the Dahlias. Premiered March 23, 1997 at Valencia College, Orlando FL. Elise Curran-Voice |
| 1997 | Fantasy for Handbells | For carillon ensemble. |
| 1997 | Psalm 57 | For Organ and Brass. Premiered by First Congregational Church of Winter Park, 1997. |
| 1997 | Smessy | For electric cello and voice, with interactive electronics. Premiered at Stetson University Digital Art Ensemble concert, November 14, 1997. Panaiotis, voice and computer assisted electronics; Kari Juusela, electric cello. |
| 1996 | Continental Drift | 8 short piano pieces. Premiered March 23, 1997 at Valencia College, Orlando FL. |
| 1996 | Settings of two excerpts from The Song of Solomon: Arise my love, and Set me as a seal…. For SATB choir, unaccompanied (revised from the original 1994 version). Premiered May 29, 1996 by Cary Concert Singers, Cary, NC. | |
| 1994 | Music for an Eastern Orthodox Christian Wedding: SSAATTBB choir. Includes Processional and Recessional with text from The Song of Solomon; 3 hymns with texts in English and Greek; and over 50 choral responses in English, Greek, Armenian, and a Slavic language used in Russian and Serbian Orthodox churches. Premiered by members of the Cary Concert Singers, Raleigh, NC, May 29, 1994. Dur: ca 20 min. of music. | |
| 1994 | Sonic Textures I | Voice, dancer, and interactive computer generated music. Premiered at Im F&P (Bell), Basel, Switzerland April 19, 1994. Panaiotis voice and electronics, with Heidi Köpfer dance. |
| 1994 | Sonic Textures II | Lights, and interactive computer generated music. Premiered at Im F&P (Bell), Basel, Switzerland April 19, 1994. Panaiotis electronics with Urs Reusser, lights. |
| 1991 | Branches of Introspection | Composed for Verbum (vol. 1), a CD-ROM music magazine. Completed Feb. 18, 1991. Solo voice. |
| 1991 | Lullaby for Katie and Troy | Electronics, revised 2002. |
| 1991 | Metempsychosis | Commissioned by the Deep Listening Band. Premiered at the Alternative Museum, New York December 8, 1991. Acoustic instruments and interactive computer controlled electronics. Performed in Tokyo, December 2, 1992. |
| 1991 | Not Liz-I-Is! | Chamber duet for coloratura and baritone. Several arrangements available: voice/piano; voice with violin, cello, marimba, vibraphone, and piano; and voice with orchestra. Text by Michele Spiro. Premiered in New York, for the New York Singing Teachers Association’s annual New Music concert. January 12, 1993. Dur: 10 min. |
| 1989 | Audience Symphony #2 | Electronically and spatially redistributed audience. Improvisational work that includes audience participation. Dur: indeterminate |
| 1989 | Conversation Piece | Solo voice and electronics. Premiered at the opening of the New Music Newark 1989 festival, Newark, New Jersey (November, 1989). Dur: 10 min. |
| 1986 | Primal Myths | Collection of multicultural genesis stories compiled and edited by Rita Grauer. (April, 1986). 25 minute tape with Rita Grauer narrating. |
| 1986 | The Curious Incident of the Dog In the Night-time | Duet for contrabass and flute (commissioned by Bertram and Nancy Turetzky: June, 1986). Text selected by Susan Imhoff from Sir Arthur Conan Doyle’s Sherlock Holmes mysteries. Dur: ca 17 min. Premiere: Houston, Texas, 1986. |
| 1986 | Winter Suite | Solo intermediate piano; five short movements: Winter Pond, Playing In the Snow, Down the Road a Bit, A Round, and Distant Bells. |
| 1983 | Something Normal for Athena | Solo piano. |
| 1980 | Attente... | Solo viola; six short movements. |
| 1980 | Audience Symphony | Any number of acoustic instruments. Improvisational work that includes audience participation. Dur: indeterminate |
| Year | Work | Playwrite | Description |
|---|---|---|---|
| 2014 | Artful Tech | Concert with Nandkishor Muley (Indian santur) Michele Spiro (autoharp) and Panaiotis (Bandojo). Andrew Stone (videator). August 2014 at the Levitated Toy Factory, Albuquerque, NM. | |
| 2011 | Lifesongs | Ensemble | Lifesongs was a project of Littleglobe and the Santa Fe Opera. Lifesongs's partners included Santa Fe Care Center, Young Voices of The Santa Fe Opera, Dolce Suono of the University of New Mexico, The Lensic Performing Arts Center, Coming Home Connection, Ambercare Hospice Care - Albuquerque and Santa Fe, The Santa Fe Waldorf School, and The Santa Fe Complex. |
| 2006 | Candide | Voltaire | Music for UNM/Tricklock Theater production of a new treatment of Voltaire’s Candide. Premiered Nov 2006 at Rodey Theater, Albuquerque, NM. |
| 1995 | The Traveling Companion | Panaiotis | Operatic multi-media theater work inspired by Hans Christian Andersen’s The Traveling Companion. In collaboration with librettist/actress Honora Fergusson and lyricist/singer Michele Spiro. Work in progress. Parts were performed at the Center for Symbolic Studies, Tillson, NY, September 3, 1995. |
| 1994 | Der Sturm | William Shakespeare | Basler Marionetten Theater: Basel, Switzerland. Music and sound design. |
| 1992 | C.E.O. | Stig Larsson | Grutle Theatre: Geneva, Switzerland. Sound design. |
| 1990 | C.E.O. | Stig Larsson | Ensemble International Theatre at CSC Theater: New York, NY. Sound design. November 1990. |
| 1987 | Death of a Salesman | Arthur Miller | Hans-Otto Theater: Potsdam, Germany. Music and sound design. November 1987. |
| 1987 | Ophidian Tales | Ensemble | Performance, music and sound design) Performance-art collaboration with sculptor/writer David Keeval, writer Susan Imhoff, and dancer/choreographer Catherine Bell. Commissioned by Sushi Inc. to open the 5th annual San Diego NeoFest (May, 1987). |
| 1986 | I Believe In Make Believe | Carol Pearson | San Marcos Youth Theater: San Marcos, CA. Additional music and music director. June 1986 |
| 1986 | Primal Myths | Rita Grauer | Yellow Brick Road Shows: Los Angeles, CA. Music, music director, and sound design. |
| 1986 | The Akeda | Panaiotis | One-act opera of two ancient tales of a patriarch’s struggle between responsibility to family and demands of gods and men: Abraham/Isaac from the Hebrew Torah and Agamemnon/Iphigenia from Greek mythology. Agamemnon and Abraham played by a bass/baritone and Iphigenia and Isaac played by a female soprano. The Greek armies, Artemis, and Elohim are played by an ensemble of sixteen men and women. Orchestra scored for 2 oboes, English horn, E♭ and bass clarinet, trumpet, French horn, percussion, 2 violoncellos, and 2 contrabasses. Produced January,1986 at the University of California at San Diego. Dur: ca 60 min. Michele Spiro-Isaac/Iphigenia, Phil Larson-Abraham/Agamemnon |
| 1985 | Martin Arives | Panaiotis & Susan Imhof | Performance-art piece for narrator, vocalist, electronic tape, and slides (1985, text created in collaboration with Susan Imhoff). Dur: 18 min. Premiered at the Multicultural Arts and Humanities Center, San Diego, California, 1985. Performed again at the Pacific Ring Festival, U.C. San Diego, San Diego, California, 1986. Susan Imhoff and Panaiotis performing. |
| 1985 | Twefth Night | William Shakespeare | UCSD Drama Department. Music. |
| 1984 | How I Got That Story | Amlin Gray | San Diego Public Theatre: San Diego, CA. Music and sound design consultant. |
| 1984 | Lysistrata | Aristophanes | UCSD. Music and music director. |
| 1984 | After the Fall | Arthur Miller | San Diego Public Theatre: San Diego, CA. Sound design. |
| 1984 | Caucasian Chalk Circle | Bertolt Brecht | San Diego Public Theatre: San Diego, CA. Music, music director, and the role of The Singer. |
| 1984 | Trojan Women | Euripides | San Francisco Repertory Theatre: San Francisco, CA. Music, music director, and sound design. |
| 1984 | The Good Soldier Svejk | Jaroslav Hasek | (adaptation) UCSD. Music and sound design. |
| 1984 | Venice Preserved | Thomas Otway | UCSD. Sound design. |
| 1984 | Love’s Labors Lost | William Shakespeare | UCSD. Music, music director, and sound design. |
| 1983 | The Three Sisters | Anton Chekov | UCSD. Sound design. |
| 1983 | Happy Birthday Freddie | Antonin Hodek | San Diego Public Theatre: San Diego, CA. Music, music director, and sound design. |
| 1983 | The Birds | Aristophanes | Toured in England by the California Theatre Ensemble: San Diego, CA. Music and music director. |
| 1983 | The Exception and the Rule | Bertolt Brecht | UCSD. Music, music director, and narrator. |
| 1983 | A Child’s Christmas in Wales | Dylan Thomas | San Diego Public Theatre: San Diego, CA. Music, music director, and sound design. |
| 1983 | The Trial | Franz Kafka/Steve Pearson | UCSD. Music and sound design. |
| 1983 | Words and Music | Samuel Beckett | UCSD. Music. |
| 1983 | Our Town | Thornton Wilder | UCSD. Incidental music and music director. |
| 1983 | Rosencrantz and Gildenstern are Dead | UCSD. Music and sound design. | |
| 1983 | Jim Dandy | William Saroyan | UCSD. Music and sound design. |
| 1982 | The Odyssey | Homer/Michael Addison | (adaptation). Performed in Yugoslavia and Greece by the California Theatre Ensemble: San Diego, CA. Music, music director, and sound design. |
| 1980 | Apartment Piece | Panaiotis | Theater piece for 36 actors and musicians (1980). ca 20 min. |
| Date | Work | Description | |
|---|---|---|---|
| 2011 | Re-Form | Dance and video concert at Wild Dancing West Festival, North 4th Street, Aluquerque, NM. Featuring new collaborative works with choreographer Jennifer Predock-Linnell and video artists Joyce Neimanas and Moira Speers-Ellis: Commercial Break, Bitter Bed, Dithering, and Reform. | |
| 2011 | Unquiet | Music for solo dance and video. UNM Department of Theater and Dance. March, 2011 | |
| 2009 | Trace | Dance video (see below for collaboration details) Showcased at the 17th Quinzena de Dança de Almada – Contemporary Dance Festival in Portugal. (June, 2009). | |
| 2008 | Trace | Quadraphonic electronic music for dance. Dur: 11:21. Choreography by Jennifer Predock-Linnel; images by Joyce Neimanas. Premiered Feb., 2008, Univ. New Mexico. 2nd performance at John Donald Robb Composers’ Symposium, Popejoy Performing Arts Center, Albuquerque, NM April 1, 2008. Subsequent public outdoor performances in May 2008. | |
| 2007 | Terminal Velocity | Quadraphonic electronic music for dance. Dur: 40:00. Choreography by Jennifer Predock-Linnell; images by Joyce Neimanas. Premiered Feb. 2007, Univ. New Mexico. 2nd performance at North 4th Street Theater as part of the Wild Dancing West series: May 18-20, 2007. | |
| 2006 | Nowhere Slowly | Video documentary of the dance performance at John Donald Robb Composers’ Symposium, Carlyle Gym, Albuquerque, NM April 3, 2006. | |
| 1994 | Halfway up a Stairway | Voice, metal objects, dancer, lights, and computer generated sound textures. Premiered at Im F&P (Bell), Basel, Switzerland April 19, 1994. Panaiotis voice and electronics, with Heidi Köpfer dance, and Urs Reusser lights. | |
| 1991 | Awakening | 22 minute chamber work for soprano, tenor, flute, clarinets, cello, percussion, and piano, with live performance electronics. Original title: Frankie and Eva. Commissioned by the American Dance Festival to collaborate with choreographer Kevin McGee on an original dance work as part of the Young Choreographers and Composers Residency Program, June, 1991. | |
| 1986 | The Ballad of Frankie Silver | Dance work commissioned by the Lehman Dance Company (1982; revised 1986). Chamber work for mezzo-soprano, guitar, percussion, piano, prepared piano, violin, viola, and contrabass. Dur: 32 min. Premiered in Basel, Switzerland, June 16–20, 1992 by the Tanz Ensemble Cathy Sharp. Additional performances by TECS; Second Recontres Choregraphiques Internationales, Neuchatel, Switzerland Aug. 10, 1994; Kulturwerkstatt Kaserne, Basel, Switzerland, Oct. 18–23, 1994; American Music Festival, Bonn, Germany, Nov. 1995; UGA Arts96 as part of the 1996 Summer Olympics, Athens, GA July 23 and 24, 1996. Michele Spiro-voice. | |
| 1986 | Where, Here, There | Commissioned by choreographer Catherine Bell and performed at the Sushi Gallery, San Diego. 35 minute tape. | |
| 1982 | Duet (for dancer and vocalist) | Dancer, vocalist and electronic tape. Dur: 10 min. |
| Date | Work | Description |
|---|---|---|
| 2019 | Bandojo Dinner Setting System | In the conference room of US House of Representative Debra Haaland, Albuquerque, NM. |
| 2018 | Bandojo Exhibit | Albuquerque Folk Festival. June 2018 at the Albuquerque Balloon Museum, Albuquerque, NM. |
| 2018 | Bandojo Exhibit | Albuquerque Mini-Maker Faire. April 2018 at the Albuquerque Balloon Museum, Albuquerque, NM. |
| 2017 | Bandojo Exhibit | Albuquerque Mini-Maker Faire. August 2017 at the Albuquerque Balloon Museum, Albuquerque, NM. |
| 2017 | Bandojo Dinner Setting System | Displayed at the Intel Museum in Santa Clara, CA. Displayed in the executive meeting suite November 2016-February 2017. |
| 2016 | Bandojo Exhibit | Albuquerque Mini-Maker Faire. August 2016 at the Albuquerque Balloon Museum, Albuquerque, NM. |
| 2011 | Nephron X | An interactive simulation of the physiological function of the kidney nephron using a game environment. Programming, animation, modeling, film editing, and algorithmically generated music. http://www.highdesertinteractive.com. Shown at SSIH and MMVR conferences, Jan. and Feb. 2011 and Los Alamos Next Big Idea Festival, Oct. 2011. |
| 2009 | Nephron Simulation | Animations of the cellular mechanism of sodium reabsorption in the early proximal tubule of the kidney nephron. Used as part of a VR simulation and tested on medical students at UNM Health Sciences. (Animation and music). |
| 2007 | The Waters of Life | The Waters of Life: Interactive multimedia simulation of the kidney nephron. This project was originally an educational tool and vehicle for research in VR simulation technology. It was included in the Art and Artifice of Science exhibit at Santa Fe Museum of Fine Art from February-May, 2007. Featured display at the International Convention for Simulation in Healthcare, Feb 13-16, 2008, San Diego, CA. Featured installation at the 16th annual Medicine Meets Virtual Reality, Los Angeles, CA, Feb. 21-24, 2008. |
| 2005 | Network Intrusion Detection | Network Intrusion Detection music Algorithmically generated music providing port connection information in a virtual reality representation of network connection activity at Los Alamos National Labs. Music is reminiscent of wind chimes. Cyber attacks are heard as gusts of wind. The type of attack is heard by nature of the musical material. Network anomalies can be detected as a time-domain characterization. Such anomalies are not easily discovered with visual representations of the data. Proof of concept demonstration developed in collaboration with Los Alamos National Labs. |
| 2004 | Popejoy Installation | Popejoy Installation: Computer generated music influenced by doors opening and closing, heat and light, people moving through a light sculpture designed by John Malolepsy. Temporary sound and light installation as part of the John Donald Robb Composers’ Symposium, Popejoy Performing Arts Center, Albuquerque, NM. April 2004. |
| 2004 | Toma III | Toma III: Sound design for virtual patient: Algorithmically generated sound for accident victim in an immersive VR simulation used for medical education. Used as a test for medical education research at the University of New Mexico and University of Hawaii. |
| Year | Film | Description |
|---|---|---|
| 2020 | Manual Depression | Music sound track. Shown as part of the Experiments In Cinema. Film by Sa Kaufman. |
| 2019 | Fifty Feet Near Wendover | Music for the film Fifty Feet Near Wendover. Shown at the Experiments In Cinema. Film by Kate Lain. |
| 2008 | Fugue State | Sound design and music for the film, which was written and directed by Tim McClelland. (November, 2008: Albuquerque, NM). |
| 2006 | The Kiss | Music for the short film produced by Digital Film Institute as part of the Duke City Shootout. Film written and directed by Chidiki Whitley. (July, 2006: Albuquerque, NM). |
| Year | Arrangement | Description |
|---|---|---|
| 2025 | Pourtant si je suis brunette | Brass quartet |
| 2024 | Shenandoah Water is Wide | Brass quartet and piano |
| 2024 | Ding Dong Angels on High | For trumpet, violin, and piano |
| 2023 | Oh, Susanna | For trumpet, violin, and piano |
| 2023 | Home on the range | For trumpet, violin, and piano |
| 2022 | Boogie Woogie Buglers | For three trumpets and piano with interspersed bugle calls. |
| 2022 | When Johnny Comes Marching Home | Trumpet arrangement |
| 2020 | Ding-Dong! Merrily on High | For trumpet and piano |
| 2020 | The Hanukkah Song | For trumpet and piano |
| 2019 | When Johnny Comes Marching Home | Choral arrangement |
| 2019 | Shenandoah Water is Wide | SAB Choir and piano |
| 2005 | Poor Wayfarin' Stranger | Voice and piano |
| 2000 | God rest you merry, gentlemen | SATB, brass, and percussion |
| 1998 | Spring has come | Choral arrangement |
©2025 by Panaiotis